Only When I Laugh is an ITV1 sitcom broadcast from 29 October 1979 to 16 December 1982 for four series with seven episodes each, and a Christmas special in 1981. The title is the answer to the question, "Does it hurt?"A naïve middle-class man is admitted to an NHS hospital ward, shared with a working-class layabout and an upper-class hypochondriac. The trio never fail to cause a nuisance for the poor, unsuspecting staff.

Due to the high suicide rate among youths in Japan, the government implements experiments to uncover the causes behind the high suicide rate. Children are selected and placed in a YSC facility under constant surveillance. At the age of 10, the children are then give a detonator with a red switch. They are told if they press the switch they will die immediately. Most of the children under the experiment, eventually presses the switch and dies. After the completion of the experiment 6 kids remain who did not press the switch. The 6 kids are; strong-minded Masami, weak Naoto, hot-tempered Hiro, impulsive Ryota, wheelchair bound Kimiaki and Aiko who is always thinking of her parents. These 6 kids survived even though they were pressured by project manager Tsukuda to press the switch.

At Christmas, a cheerful publicist teams up with a cynical business owner and his team to help a charity in need.

After the breakout success of the song "I Can Only Imagine," MercyMe's Bart Millard is living the dream—sold-out arenas, a devoted fan base, and a thriving career. But behind the spotlight, Bart's past threatens the family he's built, especially the fragile bond with his son, Sam. When hopeful newcomer Tim Timmons joins the band for their biggest tour yet, he unknowingly brings a renewed gratitude to Bart's life through their unlikely friendship. Bart soon discovers that Tim carries hardships—and secrets—of his own, forcing him to face his past and repair his relationships with Sam and his wife, Shannon, before fame costs him what matters most.

This short film is a captivating mix of emotions, genres, and tones, deliberating on love in the age of social media. Within the chaos that daily life supposes, the paths of two couples merge during an afternoon, embarking on a narrative and style hybrid that puts the need to love and the fear of commitment on the table. Memories, friendship, and disappointment converge in the drama of four millennials, forming a labyrinthine exploration of love.

Sin Ae has been struggling with cancer for ten years now. Once again, she ends up being hospitalized for treatment. She starts sharing a hospital room with another girl who is looked after by her boyfriend. Little by little, the boyfriend begins to show interest to Sin Ae.

Sara Thompson returns to her hometown to help her mother move and is surprised to find her ex-boyfriend Josh Hartman is back home. The two had once planned a life in music together but Sara left to study law. The former flames slowly reconnect and try to heal wounds, both old and new. When Sara makes a surprising discovery, she and Josh forge a bold plan for the upcoming Christmas concert that will lead them all back to their musical roots and make this a holiday to remember.

Sara Thompson returns to her hometown to help her mother move and is surprised to find her ex-boyfriend Josh Hartman is back home. The two had once planned a life in music together but Sara left to study law. The former flames slowly reconnect and try to heal wounds, both old and new. When Sara makes a surprising discovery, she and Josh forge a bold plan for the upcoming Christmas concert that will lead them all back to their musical roots and make this a holiday to remember.

Javier, a plastic artist whose life goes by uneventfully, undertakes a strange project: to film his mother, an enigmatic and distant woman. He is not a filmmaker and improvises this task, which will bring an unexpected connection between the two.

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